The New Velocity, by Luiz Zanotello, is a machine that plots the phantom Sandy Island in digital means. By reproducing the same phenomenological conditions upon which the island was seen in 1876, it seeks to reinsert the charting glitch that endured in worldwide maps until 2012. The machine records new datasets that support the further existence of the island by manipulating its digital presence.
Tatti (engl. Boletus), glass art object, 1953, by Tapio Wirkkala. Half-mould shaped crystal with line-cut outer surface.
Manufactured by Iittala Oy, Finland.
László Moholy-Nagy, Segments of a Circle, 1971.
Untitled (black 11) , 2012, by Shio Kusaka
Palermo, Smelling Sweeter in it’s Blue Air, 2015.
Acrylic on canvas.
By James Hillman.
Thunderball artwork by Robert McGinnis.
La Vie KY210, by Kenji Yoshida (1995).
Oil and metals on canvas.
Two works by Alexander Calder (1898 – 1976).