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Voyage to the Bottom of the Sea

Barbara Bouchet Japanese promotional for Voyage to the Bottom of the Sea (1964–1968).

Via Pulp International.

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SNAP furniture assembly system

Design firm Be-elastic introduces SNAP, an assembly system for furniture that features an innovative mechanism that allows users to design endless one-of-a-kind tables, TV stands, shelves and many more.

Via urdesign.

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Car porn

Phwoar..!!!

Via Userdeck.

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Droid

C-3PO life-size rod puppet from Star Wars: Episode I—The Phantom Menace (1999).

Photo: Dan Winters.

Via WIRED – The Untold Story of ILM, a Titan That Forever Changed Film.

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Last Days of Punk

Nice sleevage.

Via RMH.

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Allude SS 2010

Via The Gifts of Life.

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Every Cone, Every Torus and Every Cylinder lights

Every Cone, Every Torus and Every Cylinder lights

Every lamp in this series by designer Arnout Meijer encapsulates a light shape that changes depending on your position in space. The light vectors are refracted by the material and rendered relative to the position of your eye.

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Citroën DS

Via Lushlight.

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Steinweiss. The Inventor of the Modern Album Cover

In Steinweiss. The Inventor of the Modern Album Cover, Taschen takes a look at the works of Alex Steinweiss, prolific artist and father of the modern album cover.

In 1940, as Columbia Records’ young new art director, Steinweiss pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration? The company took a chance, and within months its record sales increased by over 800 per cent.

Over the next three decades, Steinweiss made thousands of original artworks for classical, jazz, and popular record covers for Columbia, Decca, London, and Everest; as well as logos, labels, advertising material, even his own typeface, the Steinweiss Scrawl.

Via Acquire.

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Oreste Vistosi lamp

Oreste Vistosi floor or table lamp, 1964.

The half steel part has inside three small shell lamp holders. The other half glass part can be separated from the steel part to take out the glass balls.

Via City Furniture.

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