In Steinweiss. The Inventor of the Modern Album Cover, Taschen takes a look at the works of Alex Steinweiss, prolific artist and father of the modern album cover.
In 1940, as Columbia Records’ young new art director, Steinweiss pitched an idea: Why not replace the standard plain brown wrapper with an eye-catching illustration? The company took a chance, and within months its record sales increased by over 800 per cent.
Over the next three decades, Steinweiss made thousands of original artworks for classical, jazz, and popular record covers for Columbia, Decca, London, and Everest; as well as logos, labels, advertising material, even his own typeface, the Steinweiss Scrawl.
Santo & Johnny album cover – Love is Blue, 1968.
Via Louxo’s Enjoyables.
Poster by Gino Boccasile, 1955.
One of a number of brilliant covers for N+M (Naturwissenschaft und Medizin) Magazine, designed by Erwin Pœll in the late 60’s.
Via things to look at.
Positioned as ‘One of a Kind’, Orchard Piper’s Washington Street Development presents a new benchmark in luxury property.
Communicating bespoke, uncompromising quality, the sales and marketing campaign by Fabio Ongarato Design, featuring photography by Adrian Gaut, is a celebration of ‘The Makers’ – a team of international artisans and designers whose contribution to Washington Street is an authentic, architectural statement.