{"id":19906,"date":"2012-08-02T12:21:24","date_gmt":"2012-08-02T12:21:24","guid":{"rendered":"http:\/\/www.iainclaridge.co.uk\/blog\/?p=19906"},"modified":"2012-08-02T13:23:36","modified_gmt":"2012-08-02T13:23:36","slug":"jessica-loghlin-open-space","status":"publish","type":"post","link":"https:\/\/www.iainclaridge.co.uk\/blog\/19906","title":{"rendered":"Jessica Loughlin"},"content":{"rendered":"<p><img class=\"alignnone size-full wp-image-19911\" title=\"Jessica Loughlin\" src=\"http:\/\/www.iainclaridge.co.uk\/blog\/wp-content\/uploads\/2012\/08\/jessica_loughlin2.jpg\" alt=\"Jessica Loughlin\" width=\"470\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19907\" title=\"Jessicas Loughlin: Open Space 16\" src=\"http:\/\/www.iainclaridge.co.uk\/blog\/wp-content\/uploads\/2012\/08\/jessica_loughlin.jpg\" alt=\"Jessicas Loughlin: Open Space 16\" width=\"470\" height=\"470\" srcset=\"https:\/\/www.iainclaridge.co.uk\/blog\/wp-content\/uploads\/2012\/08\/jessica_loughlin-300x300.jpg 300w, https:\/\/www.iainclaridge.co.uk\/blog\/wp-content\/uploads\/2012\/08\/jessica_loughlin-100x100.jpg 100w, https:\/\/www.iainclaridge.co.uk\/blog\/wp-content\/uploads\/2012\/08\/jessica_loughlin-150x150.jpg 150w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/><\/p>\n<p>Through Distance 1 2006 (top) and Open Space 16 2005, by <a title=\"Jessica Loughlin\" href=\"http:\/\/jessicaloughlin.com.au\/\" target=\"_blank\">Jessica Loughlin<\/a>.<\/p>\n<blockquote><p>&#8220;Jessica Loughlin\u2019s work is characterised by a strict reductive sensibility and restricted use of colour. Fusing kiln-formed sheets of opaque and translucent glass together in flat panels or in thin, geometric compositions and vessels, she alludes to shadow, reflection and refraction, influenced by the flat landscapes and salt lakes of South Australia.&#8221;<\/p><\/blockquote>\n<p>Via <a title=\"National Gallery of Australia\" href=\"http:\/\/artsearch.nga.gov.au\/Detail.cfm?IRN=142969\" target=\"_blank\">National Gallery of Australia<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Through Distance 1 2006 (top) and Open Space 16 2005, by Jessica Loughlin. &#8220;Jessica Loughlin\u2019s work is characterised by a strict reductive sensibility and restricted use of colour. Fusing kiln-formed sheets of opaque and translucent glass together in flat panels or in thin, geometric compositions and vessels, she alludes to shadow, reflection and refraction, influenced [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/19906"}],"collection":[{"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=19906"}],"version-history":[{"count":6,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/19906\/revisions"}],"predecessor-version":[{"id":19909,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/19906\/revisions\/19909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/media\/19907"}],"wp:attachment":[{"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=19906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=19906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iainclaridge.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=19906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}